Another variation is attack by innuendo: "Why don't scientists tell us what they really know; are they afraid of public panic?".
Typically, the final two lines follow a "turn" or a "volta (sometimes spelled volte, like volte-face ) because they reverse, undercut, or turn from the original line of thought to take the idea in a new direction.In the legends of King Arthur, for instance, Malory recounts him as "Rex quandam et rex futurus the once and future king who will return to Britain in the hour of its greatest need.Other examples include the following ones: betting I bet ten dollars that he drops the ball."Schemes and Tropes." Miscellaneous handouts made available to her graduate students at West Texas A M University in the Fall Term of 1993.If we were pressed to give a definition of emergence, we could say that a property is emergent if it is a novel property of a system or an entity that arises when that system or entity has reached a certain level of complexity and.In other cultures such as Egypt or Tibet, scribes have concours peche truite vendee been seen as priestly or semi-magical individuals.
Oxford: Oxford UP, abonnement presse cadeau 1969.
In the chemical mode causal effects are not additive but, instead, they are heteropathic which means that the conjoint effect of different causes is different from the sum the effects the causes would have in isolation.
Republished Mineola, NY: Dover Publications, 2000.OConnor, Timothy, Emergent Properties.The term comes from medieval demonology, which was probably influenced by the Hebrew Zohar and its legends of lilitu (the demonic daughters of Lilith that seduced men and killed human infants).OConnors view includes a strong notion of downward causation (and the denial of causal closureroughly, the principle that all physical effects are entirely determined by, or have their chances entirely determined by, prior physical events) and the possibility that an emergent state can generate another.Usually this form of emergence is stated in terms of supervenience of mental phenomena on subvenient/subjacent neural structures, and so mental states or properties co-exist with states or properties at the neural level.Speaker, poetic : See poetic speaker.The dramatic convention is that whatever a character says in a soliloquy to the audience must be true, or at least true in the eyes of the character speaking (i.e., the character may tell lies to mislead other characters in the play, but whatever.See character, flat character, round character, and characterization.See also discussion under Crown of Sonnets.Synaesthesia (also spelled synesthesia, from Grk.Semitic : A non-Indo-European family of languages including Arabic and Hebrew.